The Chopping Blog

I really don’t think I’ve ever had a breakthrough moment, where I thought I’d arrived. I’m still learning, trying new genres, looking at new ways to write. I guess in a way, I hope I never have a breakthrough moment, because I don’t want to ever stop learning something new.

The result is the final version of Girls Need Not Apply, a book that looks at sexism, lack of belonging, and mental health issues in the armed forces. The reception so far has sparked conversation amongst other female veterans, but also men who have bought the book and said they want to be part of change. That’s what the book is all about: change. 

A great novel is a work of balance. When all aspects of a story are in harmony, readers can become fully immersed. If even one element remains unpolished, readers will notice, and in noticing, they will be pulled out of the story. Characterization is an integral part of this balancing act. The storyteller’s ultimate goal is to craft lifelike characters who grip our attention as they struggle, make choices, and take risks.

I started one story, and then another, putting each one into the drawer about a hundred pages in and feeling like a failure. It took me years to realize that I needed to give myself permission to write badly and push through to the end of a draft. The real magic happens in revision. 

A local theatre troop wrote a brilliant musical called Ride the Cyclone, which ended up on Broadway. A few years ago they held a fundraiser show in which they performed several numbers that had to be cut because they didn't end up fitting the story. This was an eye-opening experience for me. The songs they cut were amazing!

Gesture is one of those things that doesn’t get talked about enough in creative writing workshops or how-to books. I don’t know why. It’s a critical tool of character development and it’s a great way to enhance a scene and break up dialogue. As with most things, when it’s done well, you don’t notice it. When it isn’t, it sticks out like—well, like a shrugged shoulder.

Enter your daily word-count values to calculate how many days you have left to go before your first draft is finished!

I have come to the conclusion that when it comes to planning, every project is different. Some are amenable to the detailed outline. Others are not.

Refusing to work until inspiration shows up is not an option. Inspiration won’t put in an appearance if you aren’t there first, trying to get words down on paper. It needs to know where to find you. 

Not every character needs to jump off the page, but it's still a good idea to people your manuscript with a memorable cast. If you have a clear sense of each character, their substance and personality will more easily translate. 

Although your villain or antagonist can be non-human or not even physical (such as society, a corporation, addiction, or the environment), many stories put a face to the evil. Either way, consider how your antagonist will challenge your hero. The hero's motivation drives the plot momentum, and the antagonist's opposition creates the obstacles that the hero must struggle against.

Understanding your main character's primary motivation is key to creating an active protagonist who makes choices and takes risk – this will be the engine for your plot momentum. It's also important to make your protagonist memorable and life-like, which can grow out of unique life experience, a flaw, or a dash of quirkiness.