The Chopping Blog

Questions to ask yourself – Part 1: Worldbuilding

April 11, 2019

Fleshing out a new narrative? Fine tuning the physical and cultural landscape of your setting? Use this list of questions to firm up the scaffolding behind your story—a great exercise for writers of speculative and historical fiction.

On the craft

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Book Broker – An interview with Jennifer March Soloway

April 02, 2019

It's not so much the query letter as the opening pages. I see potential in almost every submission, but most projects I receive are at too early a stage for me to offer representation.

Agent interviews

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Our next contest is live: The First Page Challenge

March 12, 2019

The First Page Challenge is a contest for writers who are shoulder-deep in a new manuscript. Hook us in a single page for a chance to win a growing prize pool, plus publication on the Chopping Blog.

Contest updates

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Weed, by S P Robin

March 09, 2019

English is S P Robin's fifth and last-acquired language. An avid story collector, she now uses English in storytelling. A teen from Czechoslovakia, Robin is an adult Australian who thus hopes to entertain, and perhaps even move, the willing.

Contest updates

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Tiny Little Mirrors, by Chad V. Broughman

March 09, 2019

Congratulations to Chad Broughman whose story Tiny Little Mirrors came in second place in the 2019 Axe to Grind flash-fiction contest!

Contest updates

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The results are in...

March 07, 2019

What an honour it was to judge the Darling Axe’s first-ever fiction contest. Thanks to everyone who entered and crafted such wonderful stories. Deciding on the top three was agonizing.

Contest updates

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Book Broker – An interview with Ella Marie Shupe

March 07, 2019

A good submission stands out when the author has a good command of the genre they are writing. It speaks volumes if an author notes the genre, compiles a concise 250-word synopsis, and includes comparable titles. A great first page with a compelling voice and sufficient atmosphere always stands out.

Agent interviews

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From Idea to Book: the story of The House of One Thousand Eyes

March 06, 2019

With a good editor, the editorial process is like a mini-MFA. I always come away having learned something important, not only about my own work but about the craft in general. There were a few important things happening off-stage in the novel that needed to have their own scenes. And I had to cut several gems—lines I was in love with that unfortunately weren’t appropriate in tone for the scenes they were in. Was this hard? Yes. Did I argue with my editor? Yes.

On the craft

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Book Broker – An interview with Sharon Belcastro

March 05, 2019

We are currently open to submissions. I am looking for all genres in young adult, anything strongly character driven that doesn’t pull any punches. Nova Ren Suma, Rin Chupeco, Mindy McGinnis, April Genevieve Tucholke, Courtney Summers, Laini Taylor, and Frances Hardinge are a few my favorite YA authors. Although I do enjoy my YA romcom as well.

Agent interviews

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An Axe to Grind – Now closed to submissions

March 01, 2019

Thanks so much to everyone who submitted!! I will be screening the last of the entries this weekend and sending the shortlist to Michelle. Participants will be notified once judging is complet

Contest updates

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Book Broker – An interview with Jessica Craig

February 24, 2019

I most love discovering a talented new writer and being one of the first readers of their work. Since I recently launched my own agency and handle everything on my own, I find keeping up with new submissions the most challenging part of my work, since I also think it’s essential to be reading at least one published book for pleasure alongside new manuscript

Agent interviews

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Book Broker – An interview with Kat Kerr

February 22, 2019

Kat graduated from Florida State University with a Bachelors in English in 2009, and previously interned at Holloway Literary Agency before beginning her career with Corvisiero Literary Agency where she is now a Literary Agent Apprentice. She loves strong, voice-driven works with quirky, heavily flawed characters. She is actively seeking both commercial and literary fiction as well as memoirs and journalistic nonfiction. As a Korean-American bisexual reader and writer, she feels strongly about supporting programs like We Need Diverse Books and has particular interests in own-voices works by first-generation immigrants and members of the LGBTQIA+ community.

Agent interviews

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